[教程]MixWithTheMasters Josh Gudwin Dolby Atmos John Mayer Wild Blue Mixing In Atmos #3（369MB）

加入我们在洛杉矶的 Henson Studios 观看 Josh Gudwin 的首个“Mixing in Atmos”MWTM 系列！本部分重点介绍 John Mayer 的声音精美唱片“Wild Blue”，最初由 Spike Stent 混音，后来由 Gudwin 混音为杜比全景声。使用 9.1.4 PMC 设置和 Pro Tools，Josh 将带您与杜比专家 Ceri Thomas 一起完成他的工作流程。两人讨论了令人兴奋的格式的许多方面，探索了许多领域，包括信号放置、组合对象和床、相当于主总线处理、双耳渲染等等。此外，Gudwin 谈到了他在立体声和 Atmos 混音方面的差异，比较了模板，并揭示了他用于各种乐器和人声的信号链！

第1部分
监听安装、过渡、环境、扬声器与耳机、鼓、打击乐、低音、效果传播

第2部分
吉他、人声、合成器、对象与床、VCA、声像、共振、压缩、均衡、去咝声、限制

第三部分
使用耳机微调、双耳渲染、远近模式、不同库、混响自动化、模板

原文：

Join us at Henson Studios in Los Angeles for Josh Gudwin’s first ‘Mixing in Atmos’ MWTM series! This instalment focuses on the sonically exquisite record ‘Wild Blue’ by John Mayer, initially mixed in stereo by Spike Stent and later mixed in Dolby Atmos by Gudwin. Using a 9.1.4 PMC setup and Pro Tools, Josh takes you through his workflow alongside Dolby expert Ceri Thomas. The pair discusses many facets of the exciting format, exploring a number of areas including signal placement, combining objects and beds, the equivalent of master buss treatment, binaural rendering, and much more. Additionally, Gudwin speaks of the differences in his approach to stereo and Atmos mixing, compares templates, and reveals his signal chains used on a variety of instruments and vocals!

PART 1
Monitor installation, transition, environment, speakers vs. headphones, drums, percussion, bass, effects spread

PART 2
Guitars, vocals, synth, objects vs. beds, VCAs, panning, resonance, compression, equalisation, de-essing, limiting

PART 3
Fine-tuning with headphones, binaural rendering, near & far mode, different banks, reverb automation, templates

home page
https://mixwiththemasters.com/videos/mixing-in-atmos-3-dolby-atmos-workflow/part/1