[教程]MixWithTheMasters Recording A Band #5 Al Schmitt(394MB)

[教程]MixWithTheMasters Recording A Band #5 Al Schmitt(394MB)插图

加入传奇的 Al Schmitt 和他的助理工程师 Steve Genewick 在 Studios La Fabrique 与她的音乐家一起录制爵士歌手 Melody Gardot。我们从史蒂夫开始解释他如何计划与艾尔的会议,以及他们在团队合作时所扮演的角色。然后他详细说明了在跟踪之前采取的程序(准备控制台、极性检查、耳机混音,以及为 EQ、压缩和混响选择外部处理)。在此之后,Al Schmitt 展示了他针对人声、鼓和低音提琴的麦克风放置和信号处理技术,同时讨论了麦克风的选择、声学空间和表演风格。他还解释了为什么他提倡简单的麦克风设置并且在跟踪时不使用 EQ。

第1部分
00:08:28
Steve 解释了控制台准备、极性检查、耳机混音和外接处理。

第2部分
00:03:01
Al 讨论了低音提琴的麦克风选择、放置、声学和处理。

第三部分
00:03:29
Al 展示了他用于跟踪人声的典型麦克风选择、设置、空间和压缩。

第 4 部分
00:09:25
Al 展示了他的架子鼓设置,提到了可选的麦克风,并解释了他为什么不使用 EQ。

第 5 部分
00:04:31
录制 Melody Gardot 的“Wayfaring Stranger”封面的完整片段

原文:

Join the legendary Al Schmitt and his assistant engineer Steve Genewick at Studios La Fabrique to record jazz singer Melody Gardot with her musicians. We begin with Steve explaining how he plans a session with Al and the roles they both undertake when working as a team. He then elaborates on the procedures taken prior to tracking (preparing the console, polarity checking, headphone mixes, and choosing outboard processing for EQ, compression and reverb). Following this, Al Schmitt illustrates his microphone placement and signal processing techniques for vocals, drums and double bass, while discussing microphone choice, acoustic space and performance style. He also explains why he advocates simplistic microphone setups and no EQ while tracking.

PART 1
00:08:28
Steve explains console preparation, polarity checking, headphone mixes and outboard processing.

PART 2
00:03:01
Al discusses microphone choice, placement, acoustics and processing for double bass.

PART 3
00:03:29
Al reveals his typical microphone choice, setup, space and compression for tracking vocals.

PART 4
00:09:25
Al shows his drum kit setup, mentions alternative microphone choices, and explains why he uses no EQ.

PART 5
00:04:31
Recording a full take of ‘Wayfaring Stranger’ cover by Melody Gardot

home page
https://mixwiththemasters.com/video/recording-band-5-drum-sound

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