机译:
走进传奇的 Capitol Studios,观看我们关于杜比全景声 (Dolby Atmos) 混音的第二个系列!本期节目由著名工程师 Steve Genewick 主持,他于 2017 年开始探索这种格式并开创了多种技术。与 Dolby Music 的 Ceri Thomas 一起,Genewick 开启了 Staci Griesbach 的“White Lightning”立体声混音会话,并演示了他如何将材料转移到新的会话中以在 Atmos 中进行混音。他解释了他如何为这个工作流程更改他的 Pro Tools 立体声混音模板,并为您演示了他使用对象和区域对轨道进行路由、插入和定位。您将了解 Steve 为 Atmos 调整单声道效果插件的方法、他的双耳参数设置、他如何管理集成响度等等!
第1部分
立体声到全景声转换、模板、混合记录与胶片、对象床、区域、采样率
第2部分
路由变化、幻象中心、翻译、双耳设置、感知距离、混响
第三部分
技术开发,人声链,电平,计量,监听,母带,缺乏混音总线
第 4 部分
使用带有效果的预延迟、沉浸式插件、过滤 LFE、混音项目、工作室设置
原文:
Step inside the legendary Capitol Studios for our second series on mixing in Dolby Atmos! This instalment is hosted by Steve Genewick, a renowned engineer who began exploring this format in 2017 and pioneered a number of techniques. Alongside Ceri Thomas of Dolby Music, Genewick opens the stereo mix session of ‘White Lightning’ by Staci Griesbach and demonstrates how he transfers the material to a new session for mixing in Atmos. He explains how he changed his Pro Tools stereo mix template for this workflow, and gives you a walkthrough of his routing, inserts, and positioning of tracks using objects and zones. You will learn Steve’s method of adapting mono effects plug-ins for Atmos, his binaural parameter settings, how he manages integrated loudness, and much more!
PART 1
Stereo to Atmos transition, templates, mixing records vs. film, object bed, zones, sample rates
PART 2
Routing changes, phantom centre, translation, binaural settings, perceived distance, reverbs
PART 3
Techniques developed, vocal chain, levels, metering, monitoring, mastering, lack of mix buss
PART 4
Using pre-delay with effects, immersive plug-ins, filtering LFE, remixing projects, home setup