[教程]MixWithTheMasters STEVE ALBINI Tracking Drums #3(1.74GB)

[教程]MixWithTheMasters STEVE ALBINI Tracking Drums #3(1.74GB)插图

加入我们的 Studios La Fabrique,获取有关鼓录音技术的综合教程!该视频系列由传奇摇滚工程师 Steve Albini 主持,详细介绍了使用 Neve 88R 控制台和 Studer A800 MKIII 磁带机以完全模拟方式跟踪架子鼓。 Albini 将带您了解他对低音鼓、军鼓、嗵鼓、头顶、立体声架子鼓和房间氛围的麦克风偏好和定位。他对所使用的麦克风类型及其位置给出了简明的推理,同时提出了合适的替代方案。此外,他还展示了他巧妙的处理技术,以减少流血、增强自然混响、控制动态、优化相位关系等等。他通过录制现场鼓手来演示他的技术的使用,并在白板上绘制图表以清楚地传授他广泛的知识!

第1部分
低音鼓 – 共振和打手侧、起音和延音、麦克风偏好、相位、信号闪避

第2部分
军鼓 - 顶部和底部,电容与动态麦克风,分离,定位,扩展

第三部分
Toms – 视角、麦克风对、电平混合、求和、极性、麦克风偏好

第 4 部分
Overheads & Stereo Room – 镲片捕捉、高端细节、峰值限制、Blumlein

第 5 部分
环境对——距离、带宽、仰角、哈斯效应、边界原理、延迟

第 6 部分
内部相位关系、绝对和麦克风极性、放大器级

第 7 部分
信号流到控制台和磁带、VU 和峰值计量、处理、校准、记录

第 8 部分
压缩器电路、参数、首选设置、限制、双单声道与立体声

第 9 部分
房间氛围、工作室设计、反射、声学处理、对称性、材料

第 10 部分
演示仅使用三个麦克风的简化录音设置

第 11 部分
关于边界原理和哈斯效应的环境麦克风定位图

原文:

Join us at Studios La Fabrique for a comprehensive tutorial on drum recording techniques! Hosted by the legendary rock engineer Steve Albini, this video series dives into great detail on tracking a drum kit in fully analog fashion with a Neve 88R console and Studer A800 MKIII tape machine. Albini takes you through his microphone preferences and positioning for bass drum, snare, toms, overheads, stereo drum kit, and room ambience. He gives concise reasoning for the types of microphone used and their placement, while suggesting suitable alternatives. Furthermore, he reveals his clever processing techniques to reduce bleed, enhance natural reverb, control dynamics, optimise phase relationships, and more. He demonstrates the use of his techniques by recording a live drummer, and draws diagrams on a white board to clearly impart his extensive knowledge!

PART 1
Bass drum – resonant & beater side, attack & sustain, mic preferences, phase, signal ducking

PART 2
Snare – top & bottom side, condenser vs. dynamic mics, separation, positioning, expansion

PART 3
Toms – perspective, mic pairs, level blending, summing, polarity, mic preferences

PART 4
Overheads & Stereo Room – cymbal capture, high end detail, peak limiting, Blumlein

PART 5
Ambient Pair – distance, bandwidth, elevation, Haas effect, boundary principle, delay

PART 6
Internal phase relationships, absolute & microphone polarity, amplifier stages

PART 7
Signal flow to console & tape, VU & peak metering, processing, calibration, recording

PART 8
Compressor circuitry, parameters, preferred settings, limiting, dual mono vs. stereo

PART 9
Room ambience, studio design, reflections, acoustic treatment, symmetry, material

PART 10
Demonstration of simplified recording setup using only three microphones

PART 11
Diagrams of ambient mic positioning with regards to boundary principle & Haas effect

home page
https://mixwiththemasters.com/videos/tracking-drums-3-tracking-drums

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